A cross, a Star of David, the Stars and Stripes, a crucifix. A veil, a Mennonite women’s cap, a yarmulke, a hijab, an orange robe. A lotus, a lily, a bodhi tree. Your wedding picture, the photos on your mantelpiece, the photos on your fridge. The bibelots and knickknacks on your window sill, your bedside table, your desk.
What you hang from your rearview mirror, what you hang around your neck, what you wear on your ring finger. The cherished gift you received from someone who loves you; the gift you give someone you love. The tattoo, the initials carved on the desk, the tree, in concrete; what he said when he proposed; what you screamed when you left.
All these are symbols–objects, emblems, and language representing our relationship to persons, to the universe, to the sacred. They are concrete realities communicating universal truths.
People may mistake a symbol for what Joseph Campbell called the final thing. They miss the spiritual substance–the mystery–altogether.
Writing about symbolic representations of reality–and mysteries–Buddhist teacher Thich Nhat Hanh has this to say about the Christian celebration of communion: 1
The body of Christ is the body of God, the body of ultimate reality, the ground of all existence. We do not have to look anywhere else for it. It resides deep in our own being.
Thich Nhat Hanh, Living Buddha, Living Christ
The Eucharistic rite encourages us to be fully aware so that we can touch the body of reality in us. Bread and wine are not symbols.
They contain the reality, just as we do.
What is this reality that every person contains, whether they are aware of it or not?
In The Hero with a Thousand Faces, mythologist Joseph Campbell wrote:
Wherever a hero has been born, has wrought, or has passed back into the void, the place is marked and sanctified. A temple is erected there to signify and inspire the miracle of perfect centeredness; for this is the place of the break-through into abundance. Someone at this point discovered eternity. The site can serve, therefore, as a support for fruitful meditation.
Joseph Campbell, The Hero with a Thousand Faces 2
Such temples are designed, as a rule, to simulate the four directions of the world horizon, the shrine or altar at the center being symbolical of the Inexhaustible Point.
The one who enters the temple compound and proceeds to the sanctuary is imitating the deed of the original hero. His aim is to rehearse the universal pattern as a means of evoking within himself the recollection of the life-centering, life-renewing form.

contemplate & convey
Share something about a meaningful personal symbol.
Look around. What are some symbolic items you keep nearby–on your desk or dresser, hanging from your rearview mirror, worn around your neck or on your finger? Do you have a tattoo?
This week, notice how symbolic gestures and items center and renew you.


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