The Slime of the Small World

Depth psychologists are fond of alchemy, the medieval philosophical chemistry that concerned itself with transmuting base matter to its valuable essence. For centuries, the most sought-after goal of Western alchemy was to produce the philosopher’s stone, symbolic of perfection and enlightenment. The idea was to put substances through a series of transmutations to make the stone, which was both the product and the agent of the transmutation, the change that makes the stone possible. Efforts to discover the stone were called the Magnum Opus, “great work.”

The modern appreciation of alchemy’s symbolism owes a debt to Swiss psychiatrist Carl Jung, who saw in its images and stages many expressions of the individuation process by which a person becomes able to live his own life. James Hillman believed that the language of alchemy “is itself therapeutic.” I think so, too, because when I read alchemical texts and look at medieval drawings and explanations of the process, I realize meaning. Every little bit of meaning distilled from an insight or experience expands consciousness; growth occurs.

The Great Work, or Magnum Opus, was sometimes expressed through the colors of its processes, which I explained briefly in The Affliction of the Soul  as being melanosis (blackening, the nigredo), leukosis (whitening, the albedo), xanthosis (yellowing, the citrinitas), and iosis (reddening, the rubedo) (CW 12, para. 333). This process is depicted in the diagram below.

Alchemical Process, Alex Sumner.
Overview of the Alchemical Process
Source: Alex Sumner (2005). Journal of the Western Mystery Tradition, No. 9, Vol. 1.

Another way of expressing the work was through its chemical processes. Alchemists identified at least seven, and often as many as 12 stages of the process: Calcination, coagulation, fixation, dissolution, digestion, distillation, sublimation, separation, incineration, fermentation, multiplication, and projection. If you’re at all a symbolic or imaginal thinker, you’ll see why alchemical language is, as Hillman believed, therapeutic. Such words articulate our actual experience of the sublime self in a mundane world. They help us make sense of things.


Let us begin with calcination, the first stage in the great work of transformation. “Calcination” comes to us from the Latin calx, which is rooted in the Ancient Greek khaliks, meaning “pebble.” From this same word we get those for limestone, chalk, and finish line. Its cousins include the Proto-Indo-European root *(s)kel-, meaning “to bend,” and the Greek skelos, or “leg,” along with the basis for the word “heel.” Calculus is a derived word, thus the calculi of cousins pebble, stone, reckoning, or calculating. Think of how annoying it is to get a pebble in your shoe, or how you berate yourself when your area of weakness, your Achilles’ heel, is dangerously exposed. These suggest how common yet how uncommonly difficult calculi can be.

Just as we amplify images and ideas during dream interpretation, so too can we use amplification as a magnifying lens through which we can get a more detailed idea about calcination. Since we’re dealing with words and not images here, let’s consider the fossil record in lowly, commonplace limestone. I read with interest that most caves are formed beneath limestone, because limestone is partially soluble and therefore erodes through the acids in ground water. Because it is readily available, easily accessible, and easy to cut, limestone is very common in architecture—the Great Pyramids are built of limestone, as are many European medieval churches and castles.

Limestone is suggestive of the prima materia, the first form of something, its most base beginning. It’s recognized in everyday communications through clichés, metaphors, and slang, the common language of our most base nature. Alchemists gave this prima materia at least 50 different names, among them ashes, lead, Saturn, found-in-filth, confusion, milk, dung, urine, the tomb, the coffin, hell, and (my personal favorite) slime of the small world. It is everywhere and seen everywhere, but usually goes unnoticed and is thus suggestive of the unconscious psyche.

Being a fanciful sort of person, I sometimes fashion myself as a spelunker of the psyche. This romantic and inflated idea of the Indiana Jones-type quest belies its mundane initiation: Whatever depths we plumb begin with dirt, and lots of it. We dig and dig, and hit sandstone, and limestone. One alchemist said, “Visit the interior of the earth. Through purification thou wilt find the hidden stone.” The thing that is worthless, common, and cheap is the hidden stone right under our feet. This is the thing of greatest value, yet it’s out there for anybody to see. This is why most folks don’t see it.

What’s the Matter?

Symptoms we experience are the stone in potentia, yet are often initially discounted or ignored. “What’s the matter with you?” people ask. We get into the matter when we begin to ask ourselves the same question. These depressions, anxieties, compulsions, headaches, knots in the stomach, irritations, petty and not-so-petty arguments—that’s where the gold is. This is because the only way the psyche has of speaking its distress is through our symptoms. In fact, the word psychopathology actually means “the speech of the suffering soul.” We should let our symptoms speak.

Unfortunately, most folks want to silence their symptoms because they believe their symptoms are the problem. Most people go into therapy to get rid of symptoms, not to mine for gold by listening to their soul’s pain. Accordingly, many (if not most) mainstream therapists work with clients and insurance companies to eradicate symptoms. Sadly, they destroy the gold while they’re at it. They “throw the baby out with the bath water” for failure to “get to the heart of the matter.”

There’s truth in these clichés, treasure buried in the dirt so commonplace. Joseph Campbell said, “It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure.” Perhaps by stopping where we stumble, we will know where to dig for buried treasure: X marks the spot.


Hillman, James (2010). Alchemical Psychology. Putnam, CT: Spring Publications, p. 10.

Medieval alchemy drawings courtesy of The Alchemical Web Site, Adam McLean.

5 responses to “The Slime of the Small World”

  1. lbwoodgate Avatar

    “Accordingly, many (if not most) mainstream therapists work with clients and insurance companies to eradicate symptoms. Sadly, they destroy the gold while they’re at it.”

    Regrettably this is the consequence, I think, of living a 9-5, materialistic life. Our culture has no room for emotions that throw production rates off.

    1. Eve Avatar

      Thanks for your comment, and I agree.

  2. Mona Avatar


    Good morning! (or…good whatever part of the day it is where you are 🙂 )

    (from your comment)===> “When I’ve been unconscious to beginning a big work in an area, usually I first notice by the pebble in the shoe.”

    Indeed, although sometimes it feels like a boulder. 🙂 It’s not a wonder many stumble with that “afoot” 😀 It gives me pause to be a little gentler, empathetic and understanding to others as well as myself.

    (from your comment)===> “and then something that functions as a shovel. ”

    I have two dogs. They are the love of my life. My first is a mix of poodle and shizu terrier….i think she believes herself to be the queen of all things great and small. I not only enable this narcissism in her but find her manipulations clever, entertaining and adorable. (It’s ironic that which I abhor in people…. I find delightful in my pet) .

    My other dog is a chihuahua that i rescued from entering the dog pound. I didn’t want another dog, I didn’t need another dog but when he jumped on my lap and put his little head against my chest and looked up at me with his little sad eyes (as if he knew I was his last chance) my heart turned to mush.

    In any case, he turned out to be quite the character himself and an escape artist at that. His main method of escape is to dig under a fence. His little front paws turn into shovels and are a blur as he digs so fast and nothing seems to stop him…not the rocks or roots…nothing. Dirt and debris fly underneath him (resulting in a dirty belly) and he seems to go deaf at my objections to this. it is only when I pick him up that his endeavor ends.

    I dreamed about him last night….and his determination.
    In any case

  3. Mona Avatar

    (from the topic)===>”Whatever depths we plumb begin with dirt, and lots of it. We dig and dig, and hit sandstone, and limestone….”

    Is it easily recognizable once we hit sandstone and limestone? Or do we need more information to recognize it? Perhaps even an education in psychology? What tools do we need to even attempt such a dig?

    (from the topic)===>>” Most people go into therapy to get rid of symptoms, not to mine for gold by listening to their soul’s pain. Accordingly, many (if not most) mainstream therapists work with clients and insurance companies to eradicate symptoms.”

    I’m blown away that after almost forty years that hasn’t changed. I somehow sensed, those many years ago, that was the main stream “cure” in the community of psychology but would have liked to believe that, in that amount of time, a new approach had been implemented. Perhaps a series of interviews are necessary before hiring somebody for help with this dig.

    Question #1 for a prospective therapist (and the foremost question)….:::Are you going to give me a tissue to sop up tears in an attempt to hide these symptoms or are you going to help me dig to locate its source? Will you…, at the very least,….give me a pickax?

    I certainly can understand the perspective from the insurance company though…as tissues are far less expensive and less time consuming ($$) then the dig.

    Once the client has stopped crying or has altered their behavior to learn to grab their own box of tissues and hide their pain……cured….success? Perhaps. However, I already know where the tissues are…..funny….. I always have…from a very young age. Funny.

    1. Eve Avatar

      Hi, Mona, nice to see you again. I enjoy our discussion! First, is it easily recognizable once we hit sandstone and limestone? I’m not sure that it usually is, since we’re the ones in the dirt. Maybe we would recognize it more by how things feel to us than by how they look–imagine being down in the dirt, how limited that perspective is. I know that in that state, all I see is my petty discomforts and miseries. When I’ve been unconscious to beginning a big work in an area, usually I first notice by the pebble in the shoe. So whatever our seemingly minor symptoms or irritations are, perhaps that’s where we begin to see that something’s afoot (that’s a pun, hehe).

      I don’t think a person needs an education in psychology to dig. Theoretically, the Self is always digging anyway; it is up to ego to either cooperate, or try to, or not. I think we just need something that feels and acts like a little chime or alarm clock (or in some cases, a siren!) to wake us up a little or a lot, and then something that functions as a shovel.

      I agree that interviewing an analyst or therapist is the best idea. I have an article somewhere here on the blog about that–how to find a good one. One who has some imagination and heart. One with whom you feel a connection. A person with some compassion, and openness to different schools of thought and theory (for instance, a Freudian who can appreciate Jungian ideas, or vice-versa, is a nice balance). Someone who has worked with dreams, and someone who tromps around in the woods or reads poetry or likes music–where is the life of that therapist’s soul expressed? It would be fun to generate a list of questions.

      Your first questions is excellent and funny! I love it.

      James Hillman and Michael Ventura wrote a book called “We’ve Had a Hundred Years of Psychotherapy and the World’s Getting Worse” that speaks to some of these ideas. It’s in a dialogue format, and they discuss what’s wrong with psychotherapy, and what might make it more human. Your comments remind me of this book; I keep returning to it again and again.

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